The number of times the name of James Baldwin crops up on this blog is testament to his influence. Anyone casting even a cursory glance over US history or culture needs to know Baldwin’s work. The issue of race in the US is inextricably interlinked with the up-to-the-minute issues of globalisation, unfettered capitalism, neoliberalism and all the rest. The film has several clips of Baldwin being ineffably articulate as he confronts a myopic white TV presenter, among others, outlining the issues concerning race as he sees them. The brilliance of the man is there for all to see as is the way in which he punctures the balloon of white privilege. Peck’s film rightly makes the point that these issues haven’t gone away. In recent years, they seem to have intensified. Paradoxically, issues around race continue to generate a remarkable artistic reaction. Perhaps there’s a recognition that until the USA begins to finally and seriously come to terms with the inherent racism which scars it, and which the election of a black president has done little to alleviate, it cannot begin to advance as a society. Baldwin’s relevance is as crucial as ever and this film is as fine an introduction to his work as you could hope to encounter. Having said which, it would be great to see the film of Another Country being made by the right director.