Sunday 10 December 2017

news from planet mars (w&d dominik moll, w gilles marchand)

How we loved Lemming. Not to mention Harry He’s Here to Help. I think they’re some of my favourite movies from around the turn of the century. Deadpan humour, a sardonic, Hitchcokian slant. Moll was one of the most important filmmakers around, one whose decidedly European sensibility (should there be such a thing) managed to get a foothold in British cinemas. And then, nada, for over a decade. In fact, I note from IMDB that he made The Monk in 2011, a film which passed me by. From time to time, I would wonder, whatever happened to Dominik Moll? So when, casually browsing the Cinemateca webpage, I saw a new Moll film, it was too good an opportunity to miss. 

News From Planet Mars, to give it its English title, is a likeable, if somewhat predictable tale of a downtrodden man who has to turn his life around. Philippe Mars lives in his high rise Paris flat, separated from his TV presenter wife. The film catches up with him whilst she’s on location in Brussels, covering a Euro summit, meaning he has their two teenage the kids for an indeterminate time. His kids think he’s a loser. And it looks as though they’re right. His ear is accidentally severed by a psychopathic work colleague. He survives, as does his ear, but the colleague ends up moving into his flat, and then bringing his equally disturbed would-be girlfriend too. Everything that can go wrong for Phillipe does. But finally he turns the corner, regains his kids’ respect and realises he has to quit his dead-end job. It’s all a bit neat and tame. There are a few touches reminiscent of prime Moll: animals on the loose; the ear incident; the sudden disposal of his sister’s dog, but these are garnishes. 

Whilst it’s good to have Moll back, the edginess of his earlier work doesn’t shine through here. Looking back, it feels as though Europe has become a far less stable place in the last ten years. The uneasiness which underpins Moll’s best work feels prophetic of a society where you can no longer take things for granted, where the carpet is moving under you. Perhaps modernity has caught up with Dominik Moll and it’s left him uncertain where to go next. Like the rest of us. 

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