doe-eyed critic

Wednesday, 29 April 2026

PIL

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Am walking down Sarandi, the peatonal . A cyclone is blowing. The palm trees double back on themselves. It’s quarter past eight. Birdland ha...
Sunday, 26 April 2026

kairos (jenny erpenbeck, tr michael hofmann)

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The transition of Berlin from a city divided to a city unified is one of the more epic geopolitical tales of my lifetime. My generation grew...
Friday, 24 April 2026

decline and fall (evelyn waugh)

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Waugh’s first novel may be a minor piece of literature, but it still has the feel of a writer who knew how to capture the zeitgeist. Which i...
Wednesday, 22 April 2026

la grazia (w&d paolo sorrentino)

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Sorrentino’s latest is a solid, affectionate meditation on ageing. It’s beautifully lit. Everything is high-Roman. Exquisite buildings, furn...
Monday, 20 April 2026

the monroe girls (antoine volodine, tr. alyson waters)

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A strange post-civilisation world. A world where the dead and living live side-by-side. Mysterious squad of female assassins, who may or may...
Wednesday, 15 April 2026

my childhood/ my ain folk/ my way home (w&d bill douglas)

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There are figures who float on the edge of our knowing. Think of all the books you will never read, all the films you will never watch. Many...
Wednesday, 8 April 2026

juvenile court (d. frederick wiseman)

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An earlier Wiseman. Same fly on wall diligence. Same immersive and demanding viewer experience. Here the precinct, as they call it, is more ...
Sunday, 5 April 2026

in jackson heights (d. frederick wiseman)

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In Jackson Heights is over three hours long. It’s fly on the wall. The directorial choices are all in the edit and the decision of what to f...
Friday, 3 April 2026

count luna (alexander lernet-holenia, tr. jane b. greene)

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Reading Lernet-Holenia’s curious text which is something of a shaggy dog story, I was myself haunted by the shadow of a Viennese count. Coun...
Tuesday, 31 March 2026

the lady vanishes (d. alfred hitchcock, w. ethel lina white, sidney gilliat, frank launder)

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High jinks, dastardly europeans, cricket lovers and a folk dance historian. So much of Hitchcock’s film seems quintessentially English. As a...
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