Lernet-Holenia’s novel, the second of this year, takes place in the days at the start of the Second World War. A veteran Viennese soldier, Count Wallmoden, has no real inkling that war is about to break out. He becomes besotted by Cuba, a mysterious woman, a femme fatale. Just before he has an assignation with her, his company begins to march into Poland. The world is on the brink of war but Wallmoden is distraught he cannot meet up with Cuba. He is certain that the military manoeuvres will end shortly and this will all blow over. The account of the march into Poland is detailed and specific. It doesn’t have the feel of the start of a world war, and Wallmoden compares what is happening with the horrors of the First World War, which he fought in, and feels that it’s quite lightweight. Until he is almost killed as the battles intensify. It’s a fascinating account of a moment when the horrors that will be shortly unleashed are only just emerging from their chrysalis. The tale is also a ghost story. Cuba, Wallmoden is later told, has died. He later meets a woman in a deserted Polish mansion who has the same name. A ghost story in times of war feels even more understandable or plausible. (One thinks of the seances in Gravity’s Rainbow and the fascination in the First World War.) Mars in Aires is a novel which on one level feels straightforward, but contains a concealed level of complexity, even danger.
“However, there is no doubt that we – and how often! – for moments, for days, yes, sometimes even longer than that, are in completely different realms, even though we think we’re here, and we live a life there and do things about which we know nothing. But we do live it, that life, and perhaps it’s the real one.”
No comments:
Post a Comment